F. Avanzini - G. De Poli - C. Drioli Current related projects: Models for sound in human-computer and human-environment interaction, funded by the italian ministry MURST.
F. Avanzini. Computational Issues in Physically-based Sound Models. Ph.D. Thesis, Dept. of Computer Science and Electronics, University of Padova (Italy), Feb. 2002. Available at http://www.dei.unipd.it/~avanzini/
D. Rocchesso, Strutture ed Algoritmi per l'Elaborazione del Suono basati su Reti di Linee di Ritardo Interconnesse, Ph.D. Thesis, Dept. of Computer Science and Electronics, University of Padova, Feb. 1996.
G. De Poli and D. Rocchesso, Computational models for musical sound sources, in G. Assayag, H. Feichtinger, and J. Rodriguez (eds.), Music and Mathematics, Springer Verlag (2002).
F. Avanzini and D. Rocchesso, Efficiency, accuracy, and stability issues in discrete time simulations of single reed instruments, J. Acoust. Soc. Am. 111(5):2293-2301 (2002).
G. Borin , G. De Poli, and D. Rocchesso, Elimination of delay-free loops in discrete-time models of non linear acoustic systems, IEEE Trans. Speech Audio Process., 8(5):597-605 (2000).
A. Sarti and G. De Poli, Toward Nonlinear wave digital filters, IEEE Trans. Signal Processing, 47(6):1654-1668 (June 1999).
F. Fontana and D. Rocchesso, Physical Modeling of Membranes for Percussion Instruments, Acustica 84(1):529-542 (1998).
G. De Poli and D. Rocchesso, Physically-based sound modeling, Organised Sound , 3(1):61-76 (1998).
D. Rocchesso and J. O. Smith, Circulant and Elliptic Feedback Delay Networks for Artificial Reverberation, IEEE Trans. Speech Audio Process., 5(1):51-63 (Jan. 1997).
D. Rocchesso, Maximally-Diffusive yet Efficient Feedback Delay Networks for Artificial Reverberation, IEEE Sig. Process. Letters 4(9): 252-255 (1997).
G. De Poli and D. Rocchesso, Sound Models in the Multimedia Age, in Bernd Enders and Niels Knolle (eds.) Neue Musiktechnologie III, Vortrdge und Berichte vom KlangArt-Kongress 1995, Universitdtsverlag Osnabruck, Osnabruck, 1997.
G. Borin, G. De Poli and A. Sarti, Musical Signal Synthesis, in C.Roads, S.T. Pope, A. Piccialli, and G.De Poli (eds.), Musical Signal Processing, Swets & Zeitlinger (Lisse, The Netherlands, 1997), pp. 5-30.
D. Rocchesso, The Ball within the Box: a sound-processing metaphor, Comp. Music J., 19(4):47-57 (1995).
F. Avanzini and D. Rocchesso, Modeling Collision Sounds: Non-linear Contact Force, in Proc. COST-G6 Conf. Digital Audio Effects (DAFx-01), Limerick, 2001, pp. 61-66.
M. Kahrs and F. Avanzini, Computer Synthesis of Bird Songs and Calls, in Proc. COST-G6 Conf. Digital Audio Effects (DAFx-01), Limerick, 2001, pp. 23-27.
F. Avanzini, B. Bank, G. Borin, G. De Poli, F. Fontana, D. Rocchesso, Musical instrument modeling: the case of piano, in Proc. Workshop on Current Research Directions in Computer Music, Barcelona, Nov. 2001.
M. van Walstijn and F. Avanzini, Determination of the Lumped Parameters of a Non-linear Clarinet Reed Oscillator Using a Finite Difference Approach, in Proc. Int. Symposium on Musical Acoustics (ISMA'01). Perugia, Sept. 2001, pp.221-224.
D. Rocchesso and G. Borin, Tactics for efficient and realistic sound synthesis of the piano, in Proc. Int. Cong. on Acoustics (ICA'01), Roma, Italy, Sept. 2001. Invited paper.
C. Drioli and F. Avanzini, A Physically-informed Model of the Glottis with Application to Voice Quality Assessment in Proc. Int. Workshop on Models and Analysis of Vocal Emission for Biomed. Applic. (MAVEBA'01). Firenze, Sept. 2001.
F. Avanzini and D. Rocchesso, Controlling Material Properties in Physical Models of Sounding Objects, in Proc. Int. Computer Music Conference (ICMC'01). La Habana, Sept. 2001.
F. Avanzini, C. Drioli, and P. Alku, Synthesis of the Voice Source Using a Physically-informed Model of the Glottis, in Proc. Int. Symposium on Musical Acoustics (ISMA'01). Perugia, Sept. 2001, pp.31-34.
F. Avanzini, P. Alku, and M. Karjalainen, One-delayed-mass Model for Efficient Synthesis of Glottal Flow, in Proc. Eurospeech Conf., Aalborg, Sept. 2001, pp.51-54.
C. Drioli and F. Avanzini, Model-Based Synthesis and Transformation of voiced sounds, in Proc. COST-G6 Conference on Digital Audio Effects (DAFx-00). Verona, Dec. 2000, pp.45-49.
F. Avanzini, On the use of Weighted Sample Methods in Digitizing the Clarinet Equations, In Proc. Int. Computer Music Conf. (ICMC'00), Berlin, Sept. 2000, pp. 46-49.
G. De Poli and D. Rochesso, Physically based musical sound modeling, in Proc. of Diderot Forum on Mathematics and Music, Vienna, Dec. 1999, pp. 79-98.
F. Avanzini, Higher Order Numerical Methods in Physical Models of Musical Instruments. A Study on the Clarinet, in Proc. of Diderot Forum on Mathematics and Music, Vienna, Dec. 1999, pp. 11-18.
M. Bezzi, G. De Poli, and D. Rocchesso, Sound authoring tools for future multimedia systems, in Proc. IEEE Conference On Multimedia Computing and Systems, Firenze, 1999, pp. 512-517.
D. Rocchesso, F. Scalcon, and G. Borin, Subjective evaluation of the inharmonicity of synthetic piano tones, in Proc. Int. Computer Music Conf. (ICMC'98), Ann Arbor, Oct. 1998, pp. 53-56.
D. Rocchesso, Fractionally-addressed delay lines, in Proc. COST-G6 Conf. on Digital Audio Effects (DAFx-98), Barcelona, Nov. 1998, pp. 40-43.
D. Rocchesso, A digital delay line based on fractional addressing, in Proc. XII Colloquium Mus. Inform., Gorizia, Sept. 1998.
F. Fontana and D. Rocchesso, Signal-theoretic characterization of waveguide mesh geometries for membrane simulation, in Proc. Int. Computer Music Conf. (ICMC'98), Ann Arbor, Oct. 1998, pp. 260-263.
C. Drioli and D. Rocchesso, Learning pseudo-physical models for sound synthesis and transformation, in Proc. Int. Conf. on Systems, Man, and Cybernetics, San Diego, Oct. 1998, pp. 1085-1090.
C. Drioli and D. Rocchesso, A Generalized Musical-Tone Generator with Application to Sound Compression and Synthesis, in Proc. ICASSP'97, Munich, 1997, pp. 431-434.
R. Di Federico and G. Borin, Synthesis of the trumpet tone based on physical models, in Proc. Int. Computer Music Conf. (ICMC'97), Thessaloniki, Sep. 1997, pp. 405-408
G. Borin, D. Rocchesso, and F. Scalcon, A Physical Piano Model for Music Performance, in Proc. Int. Computer Music Conf. (ICMC'97), Thessaloniki, Sep. 1997 pp. 350-353.
G. Borin and G. De Poli and D. Rocchesso, Elimination of Delay-free Loops in Discrete-Time Models of Nonlinear Acoustic Systems, in Proc. IEEE Workshop on Applications of Signal Processing to Audio and Acoustics, Mohonk, NY, 1997, pp. 12.1.1-4.
D. Rocchesso, Synthesis of Reverberant Spaces, in Proc. Workshop on Sound Spatialization, Palermo, Oct. 1996.
A. Sarti and G. De Poli, Generalized adaptors with memory for nonlinear wave digital structures, in Proc. EUSIPCO'96, Trieste, Sep. 1996, pp. 1941-1944.
D. Rocchesso and F. Scalcon, Accurate Dispersion Simulation for Piano Strings, in Proc. Nordic Acoustical Meeting (NAM'96), Helsinki, June 1996, pp. 407-414.
G. Borin and G. De Poli, A Hysteretic Hammer-String Interaction Model for Physical Model Synthesis, in Proc. Nordic Acoustical Meeting (NAM'96), Helsinki, June 1996, pp. 399-406.
F. Fontana and D. Rocchesso, Simulations of Membrane-based Percussion Instruments, in Proc. Workshop on Synthesis by Physical Modeling, Firenze, Jun. 1996.
F. Fontana and D. Rocchesso, A New Formulation of the 2D-Waveguide Mesh for Percussion Instruments, in Proc. XI Colloquium Mus. Inform., Bologna, Nov. 1995, pp. 27-30.
G. Borin and G. De Poli, A Hammer-String Interaction Model for Physical Model Synthesis, in Proc. XI Colloquium Mus. Inform., Nov. 1995, Bologna, pp.89-92.
Last modified: 05-31-2002