Research at CSC

Alvise Vidolin
The '70s: making the computer sound
Research on voice and speech synthesis
development of digital audio system
data link IBM 370/145 - IBM S/7
Digital synthesis of musical instruments
Software for computer aided composition
The '80s: the computer as a musical instrument
Real-time sound synthesis
Development of the 4i System
Two details of the 4i System
The '90s: Expressive Information Processing
Analysis of musical gesture
Models of musical performance
The 2000s: space e multimodality
Space as a compositional and theatrical/narrative parameter
Development of technologies for the musical control of space
Multimediality and multimodal interaction in performance

The Elbalmer, Giorgio Battistelli
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Medea, Adriano Guarnieri
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A look to the past
The Preservation of Interactive Multimedia Installations (2013): learn more
Several masterpieces are at risk of oblivion
Digitalization:
Crossmodal digitalization (sound synthesis from 2D or 3D model of the carrier)
Protocols for digitalization
Compensation of original equalization by means of virtual analog synthesis
Decoding (dbx, Dolby)
Metatada and contextual information extractions:
Automatic optical detection of tape collations (splices)
Binary tree automatic detection for re-mediation processes using Music Information Retrieval techniques (similarity trees, etc.)
Restoration and reinterpretation to offer novel forms of enjoyment of masterpieces from the past
Frequency domain methods:
Spectral Attenuation; Psychoacoustic model
By signal model:
Extended Kalman Filter (EKF);
Sequential modelling through particle filtering; High level modelling
and inference for audio signals using bayesian atomic decompositions;
Full bayesian models for time-domain polyphonic audio; MCMC methods for
continuous time ARMA models
By source model:
Variational approximation methods for audio
source separation and restoration; Non-negative Matrix Factorization
(NMF); Intended/ancillary source separation algorithms for non–harmonic
signals using bayesian harmonic models
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