CSC Musical productions
Claudio Ambrosini: Cadenza estesa e coda, for flute and tape
computer generated, 1981.
No. of tracks: stereo
Duration: 17' 30
Commissioned by: La Biennale di Venezia.
Computer production: D. Torresan.
Premiere: 29/9/81, Venezia, Conservatorio B. Marcello.
Claudio Ambrosini: Frammenti d’acque, for instruments and live electronics, 1996
Computer production: Alvise Vidolin and Davide Rocchesso
Duration:
Premiere: 04/11/96, Venezia, Basilica di San Marco.
Guido Baggiani, Giorgio Nottoli: Senza voci II, 1979.
No. of tracks: quad
Duration: 6' 53
Computer production: A. Vidolin.
LP EDI-PAN PRC S 20-15, Roma, 1984.
Premiere: 27/10/79, Sala Borromini, Roma.
Guido Baggiani: Senza voci III, 1985.
No. of tracks: quad
Duration: 15'
Computer production: S. Sapir.
LP EDI-PAN S 20-18, Roma, 1987.
Premiere: 14/11/85, Roma, Sala Borromini.
Giorgio Battistelli: Frau Frankenstein. Monodramma del Prometeo Moderno, for voice, chamber orchestra and Live Electronics, 1993.
Duration: 41'
Live Electronics: A. Vidolin and D. Rocchesso
Premiere: 20/03/93, Berlin, Kammermusiksaal der Philharmonie, 14 Festival Musik-Biennale.
Giorgio Battistelli: Giacomo mio, salviamoci! on lyrics by Vittorio Sermonti, for teaching voice, orchestra and video scene.
Computer production: A. Vidolin
Associazione Arena Sferisterio. Premiere: Teatro Lauro Rossi - Macerata 11/07/98.
Giacomo mio salviamoci! Performance
Giorgio Battistelli: Impressions d’Afrique. Teatro di musica, for actors, choir and orchestra, 2000
Duration: 68’
Computer production: A. Vidolin
Premiere. Luca
Pfaff, conductor; Georges Lavaudant, director; Alvise Vidolin, sound director. 63° Maggio Musicale Fiorentino. Teatro Goldoni, Firenze. 14/05/00.
Impressions d'Afrique
Giorgio Battistelli: The embalmer and The embalmer room.
No. of tracks: quad
Computer production: A. Vidolin
Premiere: 2002, Almeida opera, Londra
David Behrman: Oracolo, for 4i system live, 1983.
No. of tracks: quad
Duration: 10' 20
Commissioned by: La Biennale di Venezia.
Computer production: G. Tisato.
Premiere: 3/10/83, Venezia, Ateneo Veneto.
Luisa Bon: Laguna, 1981.
No. of tracks: stereo
Duration: 8' 10
Luisa Bon: Tarot, 1981.
No. of tracks: stereo
Duration: 7' 30
Luisa Bon: Shift of emphasis, 1983.
No. of tracks: stereo
Duration: 8' 25
Third award at 5th Concorso Internazionale Luigi Russolo, Varese, 1983.
Premiere: 18/9/83, Varese, Sala Veratti.
Luisa Bon: Herz aus Stein, 1983-84.
No. of tracks: stereo
Duration: 5'
Premiere: 19/5/84, Sarmeola di Rubano (PD), Biblioteca Comunale.
Luisa Bon: Transient, 1984.
No. of tracks: stereo
Duration: 8' 30
Premiere: 19/5/84, Sarmeola di Rubano (PD), Biblioteca Comunale.
John Cage: Immaginary Landscape N.5, 1986.
No. of tracks: mono
Duration: 3'
Transcription and computer production: F. Villa.
Premiere: 23/10/1986, La Biennale di Venezia, Mostra Nuova Atlantide, Palazzo Sagredo.
Anselmo Cananzi: Epigenesi, 1982.
No. of tracks: stereo
Duration: 10' 40
Premiere: 20/4/82, Venezia, Sale Apollinee Teatro La Fenice.
Sergio Cappuccio: Tra le quinte, 1984.
No. of tracks: stereo
Duration: 8' 05
Premiere: 1/12/84, Padova, Sala Polivalente.
Alberto Caprioli: Per lo dolce silentio de la notte, for piano and computer synthesized tape, 1987.
No. of tracks: quad
Duration: 15'
Computer production: S. Sapir.
Premiere: maggio 1987, Salzburg International Music Festival.
Alberto Caprioli: Intermedio I, for flute and computer synthesized tape, 1988.
No. of tracks: quad
Duration: 8' 32
Premiere: 9/3/1989, Klagenfurt University.
Joel Chabade: Canzona veneziana, for 4i system live, 1983.
No. of tracks: quad
Duration: 9' 20
Commissioned by: La Biennale di Venezia.
Computer production: M. Graziani.
Premiere: 3/10/83, Venezia, Ateneo Veneto.
Nicola Cisternino: Tempo armonico, for hyperbass flute (flutes), tuba, trombone, intrauterin sounds, air and water voices ("suoni d’aria e d’acque") and live electronics.
Live electronics production: Alvise Vidolin
Premiere: launch of the exhibition "Leonardo. L’uomo vitruviano fra arte escienza".
Roberto Fabbriciani, flutes; Giancarlo Schiaffini, tuba and trombone; Alvise Vidolin, live
electronics; Nicola Cisternino, Sound engineering. Gallerie
dell’Accademia, Venezia, 11/10/09.
Aldo Clementi: Parafrasi, for computer processsed voice, 1981.
No. of tracks: stereo
Duration: 19' 30
Commissioned by: La Biennale di Venezia.
Computer production: M. Graziani.
Premiere: 30/9/81, Venezia, Conservatorio B. Marcello.
Aldo Clementi: Fantasia su roBErto FABbriCiAni, version for flute and computer synthesized tape, 1982.
No. of tracks: stereo
Duration: 17' 10
Commissioned by: La Biennale di Venezia.
Computer production: M. Graziani.
LP PHILIPS 411066-1, 1983.
Premiere: 3/10/82, Venezia, Scuola Grande di S. Rocco.
Fiammetta D'Emilio: Untitled, 1987.
No. of tracks: mono
Duration: 8' 30
Premiere: 25/8/1988, Amelia, Convento SS. Annunziata, Congresso Musica/Complessità.
Ricardo Dal Farra: ... Due giorni dopo, for 4 electronic voices, 1988.
No. of tracks: quad
Duration: 3'
Premiere: 21/11/1988, Buenos Aires, Centro Culturale Citta' di Buenos Aires.
Wolfango Dalla Vecchia: Atrocissime tange, for mim, percussions and computer synthesized tape, 1981.
No. of tracks: stereo
Duration: 34'
Computer production: A. Vidolin, M. Graziani
Premiere: 20/9/81, Como, Villa Olmo.
Diego Dall’Osto: Dialodìadi for flute, clarinet and live electronics, 1995.
No. of tracks: stereo
Duration: 13'30”
Premiere. La
Biennale di Venezia, 46° Festival Internazionale di Musica
Contemporanea, "L'ora di là dal tempo - Momenti di spiritualità nella
musica". Commissioned by LIMB. Teatro Fondamenta Nuove, 8 luglio, 1995.
James Dashow: Whispers out of time, 1976.
No. of tracks: stereo
Duration: 12'
Analog electronics realized at the
Studio di musica elettronica Sciadoni, Roma; digital electronics
realized at the C.S.C., Padova.
First award at 5th Concorso Internazionale di Musica Elettroacustica, Bourges, 1977 .
Premiere: 03/76, Roma, Beat '72
James Dashow: Effetti collaterali, for clarinet in A and computer synthesized tape, 1976.
No. of tracks: stereo
Duration: 10' 19
LP, Tulsa University, Oklahoma , USA, 1978.
LP EDI-PAN PRC S 20-12, Roma, 1983.
Premiere: 06/76, Roma, Accademia di Francia.
James Dashow: A way of staying, for soprano solo and computer synthesized tape, 1977.
No. of tracks: stereo
Duration: 10' 25
LP PAN PRC 820-05, Roma,1980.
Premiere: 11/77, Roma, Accademia di Francia.
James Dashow: Partial distances, 1978.
No. of tracks: stereo
Duration: 16' 40
Analog electronics realized at the
Studio di musica elettronica Sciadoni, Roma; digital electronics
realized at the C.S.C., Padova.
LP EDI-PAN PRC S 20-12, Roma, 1983.
Premiere: 09/78, Edimburgh.
James Dashow: Second voyage, for tenor solo and computer synthesized tape, 1978.
No. of tracks: stereo
Duration: 17' 45
Commissioned by: National Endowment for the Arts.
LP CRI SD-456, New York, USA.
Premiere: 03/81, Mariland University, College Park.
James Dashow: Conditional assemblies, 1980.
No. of tracks: quad
Duration: 19' 52
Commissioned by: La Biennale di Venezia.
Second award at 9th International Concourse of Electronic Music, Bourges, 1981.
EDI-PAN PRC S 20-12, Roma, 1983.
Premiere: 2/10/80, Venezia, Corderie dell'Arsenale.
James Dashow: Il piccolo principe, finale of act I, 1982.
No. of tracks: quad
Duration: 10'
CD WERGO WER 2018-50, Mainz, FDR, 1989.
Premiere: 28/9/82, Venezia, Conservatorio B. Marcello.
James Dashow: Sequence symbols, 1984.
No. of tracks: quad
Duration: 14' 20
CD WERGO WER 2010-50, Mainz, FDR, 1987.
Premiere: 9/9/84, Linz, Austria.
James Dashow: Mnemonics, for violin and computer synthesized tape, 1985.
No. of tracks: quad
Duration: 18' 20
Commissioned by: National Endowment for the Arts.
CD WERGO WER 2018-50, Mainz, FDR, 1989.
Premiere: 17/10/85, Napoli, Villa Pignatelli.
James Dashow: Oro argento and legno, for flute and computer synthesized tape, 1987.
No. of tracks: quad
Duration: 16'
CD WERGO WER 2018-50, Mainz, FDR, 1989.
Premiere: 23/3/1988, Roma, Palazzo Taverna.
James Dashow: Archimede, scene II, opera for mime/dancer, laser, computer graphics and computer synthesized tape, 1988.
No. of tracks: quad
Duration: 17'
CD WERGO WER 2018-50, Mainz, FDR, 1989.
Premiere: 8/10/1988, Bari, Teatro Piccinni.
James Dashow: Disclosures, for cello and computer synthesized tape, 1989.
No. of tracks: stereo
Duration: 14' 45
Premiere: 22/10/89, New York, Experimental Intermedia Foundation.
Carlo De Pirro: Nove finali. for 4 hands piano, violin, cello, 2 clarinets, sampled sounds and live electronics, 1995.
Duration: 14’
Premiere: La
Biennale di Venezia, 46° Festival Internazionale di Musica
Contemporanea, "L'ora di là dal tempo - Momenti di spiritualità nella
musica". Commissioned by LIMB. Teatro Fondamenta Nuove, 6 luglio, 1995.
Carlo De Pirro, Giannantonio Patella: Doppia rifrazione, for piano and synthetic sounds, 1996.
Duration: 7'
Premiere: Padova, Auditorium C. Pollini. 19 dicembre 1996
Carlo De Pirro: Rifr-azioni for disklavier, fisarmonica and live electronics, 1997.
Computer production: Nicola Orio.
Premiere:
Mittelfest, Cividale del Friuli. New version in “Sonopolis 1998 –
Tracce - Segnali e tecnologie del nostro tempo”, Venezia 27-30/04/98.
Carlo De Pirro: Il caos delle sfere: anche tu musicista con 500 lire, for flipper and disklavier, 1999
Computer production: Nicola Orio
Premiere: 9 giugno 1999, Mattatoio del Testaccio, Roma
Il caos delle sfere, Carlo De Pirro
Carlo De Pirro: Spirito del creato, for disklavier
Premiere: 4/06/00, Milano
Carlo De Pirro: Caos dolce caos, for percussions and live electronics
Computer production: Sergio Canazza, Antonio Rodà
Premiere: 2001, Operagiovani, Teatro Sociale di Rovigo
Carlo De Pirro: Pinocchio Square, Musical installation
Computer production: Sergio Canazza, Antonio Rodà
Premiere: 2002, Neuchâtel
Agostino Di Scipio: Estensioni, 1988.
No. of tracks: stereo
Duration: 12'
Premiere: 12/88, Roma, Palazzo della Cancelleria.
Agostino Di Scipio: N/Tropics, for 9 wind instruments and computer generated sounds, 1989.
No. of tracks: stereo
Duration: 8' 10
Premiere: 11/11/1989, Roma, Sala della Cancelleria.
Agostino Di Scipio: Fractus, for viola and computer generated sounds, 1990.
No. of tracks: stereo
Duration: 12'
Premiere: 20/8/1990, L'Aquila, Campus Musica ARPEM.
Roberto Doati: Gioco di velocità, 1981.
No. of tracks: stereo
Duration: 6' 55
LP EDI-PAN S 20-16, Roma, 1984.
Premiere: 19/4/81, Varadero, Cuba.
Roberto Doati: Una pulce da sabbia, 1982.
No. of tracks: stereo
Duration: 8'
Premiere: 27/9/82, Venezia, Palazzo del Cinema.
Roberto Doati, Gianantonio Patella, Daniele Torresan: La materia è sorda, 1984.
No. of tracks: stereo
Duration: 14' 14
Commissioned by: RAI.
Premiere: 6/6/84, Universita' della Calabria, Arcavacata di Rende (CS).
Roberto Doati: Deve essere tenuto lontano da fonti di luce, 1985.
No. of tracks: stereo
Duration: 9'
Premiere: 14/12/1986, Zurigo, Kunsthaus.
Roberto Doati: Una storia chimica, 1987-1989.
No. of tracks: stereo
Duration: 14'
Premiere: 27/10/89, Cagliari, Aula Magna del Conservatorio.
Roberto Doati: L’olio con cui si condiscono le parole, for voice and live computer, on lyrics by Stephen Spender and Annette von Droste Hulshoff.
Duration: 40’.
Commissioned by LIMB.
Premiere: La
Biennale di Venezia, 46° Festival Internazionale di Musica
Contemporanea, "L'ora di là dal tempo - Momenti di spiritualità nella
musica". Teatro Fondamenta Nuove, 06/0795.
Franco Donatoni: Atem, quadro "Electronic" for tape, 1985.
No. of tracks: stereo
Duration: 5'10"
Commissioned by: Teatro Alla Scala di Milano.
Computer production: M. Graziani, A. Vidolin.
Premiere: 16/2/85, Milano, Teatro Alla Scala.
Bruno Fagarazzi: Birdwatching, 1987.
No. of tracks: stereo
Duration: 11' 15.
Premiere: 26/5/1987, Varadero, Cuba.
Stefano Farneda: A little science a little magic, 1981.
No. of tracks: stereo
Duration: 6' 20
Premiere: 22/4/80, Firenze, Sala Vanni.
Stefano Farneda, Loreto Papadia, Gianantonio Patella: musiche per Liberta' a Brema, di R. W. Fassbinder, 1981.
Commissioned by: Teatro Stabile dell'Aquila.
Premiere: Festival dei Due Mondi di Spoleto, 1981.
Mauro Graziani: Winter leaves, 1980.
No. of tracks: stereo
Duration: 8' 35
"Menzione Onorevole" at 9th International Concourse of Electroacoustics Music, Bourges, 1981.
LP EDI-PAN PRC S 20-16, Roma, 1984.
Premiere: 5/11/80, Roma, Galleria Nazionale d'Arte Moderna.
Mauro Graziani: The silent god, 1980.
No. of tracks: stereo
Duration: 9' 50
Commissioned by: La Biennale di Venezia.
"Menzione Onorevole" at 11th International Concourse of Electroacoustics Music, Bourges, 1983.
Premiere: 2/10/80, Venezia, Corderie dell'Arsenale.
Mauro Graziani: Landing, 1982.
No. of tracks: stereo
Duration: 8' 40
"Menzione Onorevole" at 11th International Concourse of Electroacoustics Music, Bourges, 1983.
Premiere: 29/9/82, Venezia, Palazzo del Cinema.
Mauro Graziani: Trasparenza, 1983.
No. of tracks: stereo
Duration: 22' 40
Commissioned by: RAI.
Premiere: novembre 1983, Raiuno.
Mauro Graziani: Wires, 1984.
No. of tracks: stereo
Duration: 10' 30
LP EDI-PAN S 20-18, Roma, 1987.
Premiere: 22/10/84, Parigi, IRCAM.
Mauro Graziani: Untitled N. 1 (4i studio), for 4i system live, 1984.
No. of tracks: quad
Duration: 10'.
Premiere: 27/11/84, Padova, Centro di Sonologia Computazionale.
Mauro Graziani, Walter Prati: Aquam flare in media labia tua, for trombone and 4i system live, 1987.
No. of tracks: quad
Duration: 12'
Premiere: 25/6/1987, Milano, Piccolo Teatro di Milano.
Mauro Graziani, Walter Prati: Combinazioni approssimate di tempo indefinito, for trombone, tenor saxophone, MIDI and 4i system live, 1988.
No. of tracks: quad
Duration: 17'
Premiere: 25/5/1988, Milano, Crociera del Filarete.
Adriano Guarnieri: Pensieri Canuti. for soli, choir, orchestra and live electronics, 1999.
Duration: 40’
Computer production: Nicola Bernardini and Alvise Vidolin.
Premiere: Salzburger Festspiele 1999. Main Hall of Mozarteum in Salisburgo, 10/08/99.
Adriano Guarnieri: Passione secondo Matteo, Cantata for soli, choir and ensemble, 2000.
Duration: 40’
Computer production: Nicola Bernardini and Alvise Vidolin.
Premiere: Teatro
alla Scala, Concerto for 2000 Easter, year of the Jubilee.
Basilica di San Marco, Milano, 6/0400.
Nicola Bernardini and Alvise Vidolin
Adriano Guarnieri: Medea opera video in 3 parts freely inspired from Euripide, 2002.
Duration: 70’
Computer production: Nicola Bernardini and Alvise Vidolin.
Premiere: Fondazione Teatro La Fenice di Venezia, Palafenice di Venezia 20/10/02.
>Crossmodal interaction in Medea, Adriano Guarnieri
Adriano Guarnieri: Pietra di diaspro. Video opera on lyrics taken from the Apocalypse of John, with lyrics by Paul Celan, for
7 solo voices, choir, instrument solos, orchestra and live electronics 2007.
Duration: 90’
Computer production: Alvise Vidolin, Nicola Bernardini, Nicola Buso
Premiere:
Produzione del Teatro dell’Opera di Roma commissioned by Ravenna
Festival, Teatro Nazionale, Roma, 10/06/07.
Pietra di diaspro, Adriano Guarnieri
Adriano Guarnieri: Ostinato 3: per Roberto, for hyperbass flute, flute contrabass, flute in C, ottavino and live electronics, 2008.
Duration: 16’
Computer production: Alvise Vidolin
Premiere: 45th Festival di Nuova Consonanza, Sala Accademica del Conservatorio “S. Cecilia”, Roma, 06/12/08.
Adriano Guarnieri: Ostinato 4, for trombone and live electronics, 2008.
Duration: 14’
Computer production: Alvise Vidolin
Premiere: 45th Festival di Nuova Consonanza, Sala Accademica del Conservatorio “S. Cecilia”, Roma, 06/12/08.
Adriano Guarnieri: ... fili bianco velati ... for violin and live electronics (2006-2009). Duration: 10’
Live electronics production: Alvise Vidolin
Premiere of version with live electronics: Festival
Exnovomusica, Carlo Lazari, violin, Alvise Vidolin, Sound engineering and live electronics. Sale Apollinee del Gran Teatro La Fenice, Venezia, 29/11/09.
Hubert Howe: Astrazioni, 1980.
No. of tracks: stereo
Duration: 11'
Commissioned by: La Biennale di Venezia.
Premiere: 2/10/80, Venezia, Corderie dell'Arsenale.
Jonathan Impett: Shells, for trumpet, live electronics and computer synthesized tape, 1988.
No. of tracks: stereo
Duration: 10'
Premiere: 23/5/1989, Venezia, Teatro Rossini.
Jonathan Impett: ...A lake-surrounded flute, for flute, piano and computer synthesized tape, 1988.
No. of tracks: stereo
Duration: 8'
Premiere: 01/88, London, Southbank Center.
Jonathan Impett: Gandharva,
for trumpet, clarinet, double bass, cello, keyboards, percussions, MIDI controlled wind instruments, computer generated sounds, 1988.
No. of tracks: stereo
Duration: 12'
Premiere: 06/88, Brighton.
Richard Karpen: The vision,1985.
No. of tracks: quad
Duration: 18' 40
Premiere: 21/6/1985, Bourges.
Albert Mayr: Hora harmonica, 1983
No. of tracks: stereo
Duration: 60'
Computer production: G. Tisato.
Premiere: 5/7/83, Monte S. Savino (AR), Castello di Gargonza.
John Melby: Layers, 1981.
No. of tracks: stereo
Duration: 9' 51
Commissioned by: La Biennale di Venezia.
"Menzione Onorevole" at 10th International Concourse of Electroacoustics Music, Bourges, 1982.
Premiere: 30/9/81, Venezia, Conservatorio B. Marcello.
Alessandro Melchiorre: Unreported inbound Palermo, chamber cantata for choir, soprano, instrumental ensemble and electronics, on lyrics by Daniele Del Giudice, 1995.
Duration: 40'
Computer production: Giovanni Cospito
Commissioned by LIMB
Premiere: La
Biennale di Venezia, 46° Festival Internazionale di Musica
Contemporanea, Teatro Fondamenta Nuove, 8 luglio, 1995.
Renato Meneghetti: Insania, for saxophone and computer synthesized tape, 1982.
No. of tracks: stereo
Duration: 35'
Computer production: M. Graziani.
LP, PANARECORDS 3371, 1982.
Premiere: 08/83, Padova, Arena Romana.
Andrea Molino: Canti d'inquietudine - Studi per un altro teatro for ensemble and live electronics.
Commissioned by: Städtische Bühnen Münster
Premiere: 28/10/94, Städtische Bühnen Münster
Wolfgang Motz: Sotto pressione, 1982, for 2 oboes and computer synthesized tape.
No. of tracks: quad Duration: 8' 22
"Menzione Onorevole" at 11th International Concourse of Electroacoustics Music, Bourges, 1983.
First award at Stuttgart City concourse, 1983.
CD WERGO WER 2030-2, Mainz, FDR, 1992.
Premiere: 1/10/82, Venezia, Conservatorio B. Marcello.
Wolfgang Motz: ...Per non sentirci soli..., for 4 percussions and computer synthesized tape, 1985.
No. of tracks: quad
Duration: 12' 34
Commissioned by: La Biennale di Venezia.
Premiere: 22/9/85, Venezia, Sale Apollinee del teatro La Fenice.
Luigi Nono: Prometeo, for soli, choir, orchestra, live electronics and 4i system, 1984.
Duration: 140’
Commissioned by: La Biennale di Venezia and Teatro Alla Scala di Milano.
Computer production: S. Sapir, A. Vidolin, M.Graziani
Premiere: 25/9/84, Venezia, Chiesa di S. Lorenzo.
Piero Olmeda: L'allegro Faust, sonic poem (poesia sonora), 1986.
No. of tracks: quad
Duration: 4'
Computer production: G. Tisato.
Premiere: 15/11/1986, Padova, Sala della Gran Guardia.
Corrado Pasquotti: Forma magistra ludi, 1981.
No. of tracks: stereo
Duration: 15'
Commissioned by: La Biennale di Venezia.
Computer production: G. A. Patella.
Premiere: 29/9/81, Venezia, Conservatorio B. Marcello.
Corrado Pasquotti: Madrigali in giardino, for voices, instruments and live electronics, 1998.
Duration: 60'
Computer production: Alvise Vidolin, Paolo Zavagna.
Premiere: Villa Domenica per l'arte contemporanea, Lancenigo TV, 04/07/98. CD TAUKAY.
Corrado Pasquotti: Est et non, for organ, 7 wind instruments, percussions, live electronics, 1999.
Duration: 90'
Computer production: Alvise Vidolin, Paolo Zavagna
Premiere:
Organ Festival in collaboration with Asolo Musica. Chiesa S.
Caterina, Treviso. 16/09/99.
Gianantonio Patella: Sinaric, 1978.
No. of tracks: stereo
Duration: 8'
Premiere: 03/79, Bologna, Teatro delle Moline.
Gianantonio Patella: Sinaric II, 1994.
No. of tracks: stereo
Duration:
Premiere:
Gianantonio Patella: Canevon, 1997.
No. of tracks: stereo
Duration: 13’
Premiere:
Gianantonio Patella: Porte sottili, 1998.
No. of tracks: stereo
Duration:
Premiere: Festival di Musica Acusmatica Futura ‘99
Maurizio Pisati: Zone I
(Zone-hack a direzione virtuale), for alto flute, sounding tube (tubo sonoro), MIDI electric guitar played by the composer, and live electronics, 1995.
Duration:
Computer production: Davide Rocchesso.
Commissioned by LIMB, La Biennale di Venezia
Premiere:
La Biennale di Venezia 46° Festival Internazionale di Musica
Contemporanea. Teatro Fondamenta Nuove, 6/07/95.
Maurizio Pisati: Zone-Franche, for cello, piano, bells, 2 audio tracks and live electronics, 1996.
Duration:
Computer production: Davide Rocchesso, Alvise Vidolin
Premiere: Città di Castelfranco Veneto, old city, 30/06/96.
Marco Querzola: Villotta, for soprano and computer synthesized tape, 1986.
No. of tracks: stereo
Duration: 8' 30
Computer production: A. Provaglio.
Premiere: 23/5/1987, Udine, Teatro Palamostre.
Teresa Rampazzi, Paolo Balladore: With the light pen, 1976.
No. of tracks: stereo
Duration: 8' 30
"Menzione Onorevole" at 5th International Concourse of Electroacoustics Music, Bourges, 1977.
Premiere: 06/77, Bourges.
Teresa Rampazzi: Computer dances, 1978.
No. of tracks: quad
Duration: 10' 30
"Menzione Onorevole" at 6th International Concourse of Electroacoustics Music, Bourges, 1978.
Premiere: 26/11/85, Padova, Auditorium del Conservatorio C. Pollini.
Teresa Rampazzi: Fluxus, 1979.
No. of tracks: stereo
Duration: 10' 40
LP EDI-PAN PRC S 20-16, Roma, 1984.
Premiere: 08/79, Certaldo.
Teresa Rampazzi, Luisa Bon: Atmen noch, 1980.
No. of tracks: quad
Duration: 15' 10
Second award at 8th International Concourse of Electroacoustics Music, Bourges, 1980.
Premiere: 31/5/80, Bourges.
Teresa Rampazzi: Metamorfosi, 1981.
No. of tracks: quad
Duration: 8' 30
Premiere: agosto 1981, Certaldo.
Teresa Rampazzi: Danza seconda, 1981.
No. of tracks: quad
Duration: 8'
Premiere: 26/11/85, Padova, Auditorium del Conservatorio C. Pollini.
Teresa Rampazzi: Geometrie in moto, 1982.
No. of tracks: quad
Duration: 11' 40
Premiere: 27/9/82, Venezia, Palazzo del Cinema.
Teresa Rampazzi: Requiem per ananda, 1982.
No. of tracks: quad
Duration: 8' 15
Teresa Rampazzi: Spettri, 1983.
No. of tracks: quad
Duration: 9' 46
Teresa Rampazzi: Eka', 1984.
No. of tracks: quad
Duration: 19' 50
Analog electronics realized at the Studio di Musica Elettronica Rampazzi, Padova, digital electronics realized at the C.S.C., Padova.
Premiere: 07/84, Assisi, Auditorium della Cittadella.
Fausto Razzi: Progetto secondo, 1980.
No. of tracks: mono
Duration: 12'
Commissioned by: La Biennale di Venezia.
Computer production: D. Torresan.
LP EDI-PAN PRC S 20-16, Roma, 1984.
Premiere: 2/10/80, Venezia, Corderie dell'Arsenale.
Fausto Razzi: A voi che lavorate sulla terra, aria for voice and computer synthesized tape, 1982.
No. of tracks: mono
Duration: 15' 30
Commissioned by: La Biennale di Venezia.
Computer production: D. Torresan.
LP EDI-PAN S 20-18, Roma, 1987.
Premiere: 28/9/82, Venezia, Conservatorio B. Marcello.
Michele Sambin: stage music for Era nell'aria, 1984.
No. of tracks: stereo
Duration: 15'
Computer production: S. Sapir.
Premiere: 06/84, Milano, Teatro CRT.
Michele Sambin: stage music for Macchine sensibili, 1987.
Computer production: S. Sapir.
No. of tracks: stereo
Duration: 15'
Premiere: 07/87, Festival Internazionale del Teatro Sperimentale di Polverigi.
Salvatore Sciarrino: Perseo e Andromeda, opera in 1 act on lyrics by Salvatore Sciarrino from Jules Laforgue, for 4 voices and real-time synthetic sound, 1989.
Duration: 66’
Commissioned by: Staatstheater Stuttgart
Computer production: A. Vidolin, P. Zavagna
Premiere: 27/01/90, Stuttgart, Staatstheater Stuttgart.
Alvise Vidolin and Paolo Zavagna in Perseo e Andromena, Salvatore Sciarrino
Salvatore Sciarrino: Due arie marine, for soprano and real-time synthetic sound, 1990.
Duration: 20’
Computer production: A. Vidolin, P. Zavagna.
Premiere: La Musica nella civiltà delle macchine, Lingotto, Torino 27 ottobre, 1990
Salvatore Sciarrino: Cantare con silenzio, for flute, choir, percussions and live electronics, 1999.
Duration: 40’
Commissioned by: Neue Vocalist Stuttgart
Computer production: A. Vidolin
Premiere: Stoccarda, 20 giugno 1999.
Salvatore Sciarrino: Lohengrin 2- Disegni per un giardino sonoro. Azione invisibile per solista, strumenti e voci, (solo, instruments and voices), 2004
Duration: 40’
Computer production: A. Vidolin
Premiere: Ravello Festival 2004 “Il sogno”. Villa Rufolo, 21/08/04.
Marco Stroppa: Traiettoria... deviata, for piano and computer synthesized tape, 1983.
No. of tracks: stereo
Duration: 6' 23
Commissioned by: RAI.
CD WERGO WER 2030-2, Mainz, FDR, 1992.
Premiere: 2/8/83, Verona, Auditorium S. Francesco al Corso.
Score of Traiettoria... deviata, Marco Stroppa
Marco Stroppa: Dialoghi, for piano and computer synthesized tape, 1984.
No. of tracks: stereo
Duration: 13'
CD WERGO WER 2030-2, Mainz, FDR, 1992.
Premiere: 16/4/84, Paris, IRCAM.
Marco Stroppa: Contrasti, for piano and computer synthesized tape, 1985-88.
No. of tracks: stereo Duration: 25'
Commissioned by: La Biennale di Venezia.
CD WERGO WER 2030-2, Mainz, FDR, 1992.
Premiere and premiere of entire Traiettoria cycle: 21.9.85, Venezia,
Sale Apollinee del Teatro La Fenice
Marco Stroppa: Hidinefte, soit l'autre face de Traiettoria, 1989.
No. of tracks: stereo
Duration: 30'
Premiere: 18/11/1989, Milano, Scuola Civica di Musica.
Richard Teitelbaum: Barcarola, for 4i system live, 1983.
No. of tracks: quad
Duration: 15'
Commissioned by: La Biennale di Venezia.
Computer production: S. Sapir, A. Vidolin.
Premiere: 3/10/83, Venezia, Ateneo Veneto.
Daniele Torresan: Cardo, 1980.
No. of tracks: stereo
Duration: 5' 15
Premiere: 22/4/80, Firenze, Sala Vanni.
Francesco Villa: Trace, 1988-1989.
No. of tracks: stereo
Duration: 9' 30
Premiere: 26/10/89, Cagliari, Aula Magna del Conservatorio.
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